INTRODUCTION

Marvin Mateeka is a Ugandan-born, Glasgow-based DJ, curator, promoter and founder of KIN-TU, a record label and events platform supporting emerging artists across electronic, club and experimental music. Working across releases, club nights, listening sessions, workshops and artist development, Marvin's practice is rooted in building spaces and creating opportunities that are not always readily available within Scotland's music scene.

Through KIN-TU, he has created a platform that connects dance music, community, artist support and cultural infrastructure, with a focus on giving emerging artists the tools, confidence and visibility to develop their work on their own terms. Marvin's work is shaped by a belief that club culture can be more than nightlife. It can be a space for care, experimentation, access, joy and collective identity.

INTERVIEW

How did you get into your creative practice? What initially inspired you?

My journey into music began with DJing and immersing myself into Glasgow's club culture. It sparked my curiosity in seeing how music could transform a room and unite people from different walks of life. I noticed a lack of representation among DJs, particularly people who looked like me, which motivated me even more to contribute to change in that space.

As I explored my interest further, it grew beyond just spinning records. I found myself drawn to curating events, supporting artists, and building creative platforms. I encountered numerous talented artists who weren't always getting the recognition or support they deserved. That realisation led me to establish KIN-TU.

What themes do you tend to interrogate in your creative practices?

My work often revolves around themes like access, identity, and community, questioning who occupies space in the music scene. I see club culture as more than just a nightlife experience; it can be a cultural and social hub that reflects our times.

With KIN-TU, I think a lot about what genuine support for emerging artists looks like. This encompasses everything from putting out their music to creating environments where they can forge their own path.

What is your favourite project you’ve ever worked on and why?

I can't pinpoint a single favourite project because every experience contributes to my growth and understanding as a creative. Whether it's developing an artist's release, hosting a workshop, or organising events, each project has been a stepping stone in deepening my knowledge and confidence in my work.

I love that my journey allows me to explore various aspects of music and culture without being confined to a single label. That flexibility is crucial for me; it keeps my creative spirit alive and connects me with a wider audience.

What advice would you have for creatives of colour looking to get into your creative practices?

Don't shy away from making mistakes - perfection isn't a prerequisite for starting. Some of the most exciting work comes from experimentation, learning, and forming connections with those who inspire you.

Trust your instincts and stay true to what feels right for you. It's easy to fall into the trap of following established models or waiting for approval, but sometimes you have to carve your own path with the resources at hand.

What are you currently working on?

I'm focused on the next chapter for KIN-TU, which includes upcoming releases and events. A key goal is to grow the label sustainably while continuing to uplift emerging artists in the electronic and experimental music realms.

I'm also exploring ways to push KIN-TU into more community driven, listening focused events alongside traditional club nights. Music doesn't always have to be experienced in a club at 3am

DISCOVER MORE

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